The Ballad of Slippery Reese – A Poem

 

 

This is the ballad of Slippery Reese,

who was born all covered in grease.

It softened his flesh and his bones turned to dough,

so he could squeeze into crevice or crease.

 

He had a peculiar trick where he made himself slick

and slid under windows and doors.

He would flatten right down to the girth of a pound

and flap his flat limbs on the floor.

 

Despite this incredible gift,

it was a matter of ‘when’ and not ‘if’

Reese would turn his attention to crime,

but The Flat Bandit was captured with nary a fuss,

cause the police tracked the trail of slime.

 

A jury decreed he should hang for his deeds,

for they could not have a freak such as he loose.

Eventually though, they just let him go,

‘cause his neck wouldn’t stay in the noose.

Dodie – A Poem

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Dodie

Dodie doesn’t know what his captors are,
or what they want.

They speak an odd language
that Dodie doesn’t understand.

Sometimes, they tie Dodie up by the neck
and drag him through the streets.

Other times, they make Dodie perform simple tricks
for their amusement.

The tall and ugly things seem pleased by his obedience
and they offer him rewards.

So Dodie sits, Dodie begs, Dodie rolls over and plays dead,
all the while plotting his revenge.

by

Owen Morgan

The Eternal Thicket – A Poem

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The Eternal Thicket

There is a secret forest
on the outskirts of town,
where the desperate are called
so to never be found.

It is hidden from most
and graces no map,
it exists within a sort of
‘temporal gap’.

It is a gloomy old place
from Autumn through Spring,
where the insects are still
and the birds never sing.

When a person arrives
with intentions to end,
a voice from the forest
whispers to them.

It asks them to ‘stand very still
and wish very hard,
for the Gods in the leaves
will turn skin into bark.”

“A tree will be borne
from the soul left behind
until body and vine
are forever entwined”

It is a simple offer,
and many have picked it.
The newest recruits
to the Eternal Thicket.

There are rows upon rows
as far as can see,
an army of people
who, now, are a tree.

It is easy to tell
if you know where to look,
when this curious process
has been undertook.

If you feel quite so brave
as to climb up the trunk
you’ll see shapes in the bark
where their faces are sunk.

Arms become branches,
and fingers grow thin,
if you snap them in half
you’ll find bones are within.

I suspect you have doubts
about a story so strange,
but there is one little detail
you’ll never explain.

When the process begins,
and their bodies are taken,
It is a very quick thing
and they rarely are naked.

Whatever they wore,
when the forest took hold,
still adorns their new form,
and a story is told.

Some branches sport gold,
or some count the hours,
and most of the trunks
are still wearing trousers.

Owen Morgan

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[Review] – I Am a Hero (2015)

Directed By: Shinsuke Sato

Starring: Yo Oizumi, Masami Nagasawa, Kasumi Asimura

A cowardly, down-on-his-luck manga artist must survive a zombie outbreak in this wonderfully gory tale from Japan.

Inevitably, I Am A Hero will always be compared to its stablemate ‘Train to Busan’, because both came out near the same time and deal with the sudden breakout of a mysterious zombie virus. But while Train to Busan is a heart-stopping tour filled with drama and suspense and moments of genuine terror, I Am A Hero is a little more fun, with over the top violence, a protagonist who is more of an awkward div than a badass, and a mood that flits impossibly between slapstick comedy and morose existentialism.

What the two films undoubtedly have in common, however, is a dedication to the ‘compelling undead’. The zombies here are amazing, with horrifying marionette movements, creepy dialogue and opposite-facing eyes that help keep the main threat of the movie feeling like a genuine danger rather than a meaningless plot device.

The first real zombie moment – when our hero peers through the letterbox of his estranged girlfriend Tekka’s apartment and witnesses her impressively flexible transformation – is a masterclass in modernising the zombie. She’s so desperate to have a munch on the meat of daft old Hideo-san that she contorts around the room like a ravenous pretzel, using her legs and arms in ways that would make Mia Malkova blush.

The main villain of the film (aside from the inevitably treacherous human survivors) is a particularly sprightly zombie athlete who leaps around the joint like a coked-up Mo Farah, and I actually found him to be pretty endearing as far as undead killing machines go.

Unlike western zombie tales, Japan as a culture has a distinct lack of guns, which makes Hideo’s lone firearm both a status symbol for the survivors to bicker over, as well as a devastatingly effective weapon in an armoury devoid of them. When it is used to dispatch a ghoul, it utterly fucking obliterates it, which is nice.

Despite a lacklustre climax that seems to drag on beyond the reasonable limits of human patience, and an interesting female character that initially seems to be the crux of the story before falling by-the-wayside without being fully capitalised on, I Am a Hero is still one of the more refreshing zombie movies of recent memory. Good, bloody stuff.

[Review] – Cronos (1993)

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Starring: Federico Luppi, Ron Perlman, Claudio Brook

Director: Guillermo Del Toro

I’m often told that Cronos is one of the most unique takes on the vampire genre, but the truth is it’s not really a vampire film. You certainly shouldn’t expect any of the fangs, bats, capes, and stakes (or, shudder, glitter) you’ve come to associate with the genre of late – because even though Cronos does feature a man with a thirst for blood, it is about as much a vampire film as Hellraiser is. That doesn’t take anything away from Guillermo Del Toro’s 1993 directorial debut, however, as it remains an imaginative and engaging film with the director’s trademark peculiarity pumping through its veins. Continue reading